Summer Music Marathon Continues!

5. Bon Iver at the Murat Theatre, Indianapolis
As many musicians morph from freshman to sophomore album releases, Justin Vernon, the lead of Bon Iver, has taken a bit of a musical journey over the stretch of his first two albums and EP in between. His first album is a folky exposee of life and relationships while his second full-length is an electronic-folk rock exploration piece. His EP is a mixture of the two, a perfect bridge built to help us understand how he got from point A to point B.

I was introduced to Bon Iver's music when I was in college and it had been announced that our Integration of Faith and Culture club was sponsoring a concert in which he was performing. I listened to a song or two on myspace before the night of the concert to get myself acquainted with what I heard was brilliant music. I really fell in love with Vernon's simplistic yet profound musicality at the concert, and I bought his album For Emma Forever Ago there. I listened to that album probably for months on end-- in my car, in my dorm room, etc. Vernon's lyricism, although at times nonsensical, was poetic and enchanting along with his bluesy falsetto.

:D

When Bon Iver's EP Blood Bank  was announced, I was very excited and ready for some fresh music from Vernon's genuis. But when I listened, some songs struck the right chords for me, and others, specifically songs with more electronic elements, did not. Generally, I am a sucker for a more organic sound, so I had a hard time engaging fully with the EP.

:/

I stumbled across an announcement of Bon Iver's second album leaking over the internet, and a friend of mine provided without my prompting. I may not have chosen to invest in Bon Iver, Bon Iver, but since I received it as a gift of sorts, I loaded it into my library and gave it a few spins. I felt similarly about Vernon's sophomore album as I did about the EP.

:(

The album collected virtual dust as it sat in my iTunes library for a month or so. I received notification of Bon Iver's scheduled performance in Indy, and marked it on my calendar as a possibility. Having seen Bon Iver at Taylor for ten bucks and being blown away, I knew that I had no need to top that experience, but what's one more concert tacked on the list for my Summer Music Marathon? One of my friends contacted me with a special proposition-- the possibility of a free ticket to the show. If that worked out, I was in for sure, but if not, I wouldn't morn the loss of a mediocre electronic folk rock show. Meanwhile, I brushed up on the new album just in case.

You may have gleaned the outcome of this proposition-- the tickets worked out and I headed downtown for the show! The opening act was The Rosebuds, whose music was good but did not stir anything deep in me. I honestly was just pretty anxious to see if my expectations of Bon Iver would be true or proven false. I expected it to be similar to the three-part band set that I saw in college, but with Justin Vernon playing synth instead of his rusty resonator. After the opener, there was a bit of an intermission so the stage could be stripped and set for the main act. I didn't take much notice of the instruments and the set up until Bon Iver took the stage and everyone stood up from their seats (to absorb the sound waves I imagine).

Vernon stood in the center of the stage-- to his left were two men playing trumpet/synth and trombone/auxiliary percussion. To his right were two guitarist/violin/vocalists. Directly behind him were two saxophone players, one of which played the bass as well. On either side of those men was a drummer, one who was also a vocalist (aka S. Carey). Vernon had brought his eight-piece band along-- far from the "guy and his two friends" context I had seen him in at Taylor for ten bucks. Their opening two songs blew me away, so much so that I can't even remember what they were. I had to process a ton during the show since I was not the most familiar with their latest stuff and since the arrangement of even familiar songs was unfamiliar (and just plain beautiful). I love music that has layers and interesting elements-- it engages my musical mind, makes me think and process. Sgt. Justin's Bon Iver Band did just that for me. There was enough going on to keep me captivated without being overwhelmed. The band rocked, and they rocked hard and loud, but they did so with intricate sensitivity, a good amount of precision, and lots of heart and soul.

Since the show, I have actually enjoyed listening to the new album and the EP. It is amazing to me how much of an effect a live performance can have on one's perception of an album. An album is such a static thing-- it is recorded one way and heard that way forever. Being able to see/hear a live performance of music that is largely known through a certain recording can be enlightening, offering a new perspective. I found this to be true for me. My experience with seeing Bon Iver perform live transformed my view of their recorded pieces. I am glad that I have a deeper appreciation of Bon Iver's latest works because I really did want to be able to give them that chance.

Highlights of the show include the surprisingly high average age of the audience (majority ranging from 27-33 I would say), the auxiliary percussion/trombone-player breaking out in some sick beats with his mouth (that man can apparently do anything), and the man down the row doing jazz hands at random moments during the show. Funny story here. And by funny, I mean I was a total jerk. I saw this guy and was very confused, even amused, by his outward expression of joy at unique moments. I poked fun to my friend who laughed along with me. A few minutes later, my friend looks at me with the horror of embarassment... "He's deaf!" "What?!" "He's deaf! I have like 4 cousins who are deaf and that is the sign for applause!" "......Oh my gosh.......I am a horrible person! Also, that makes no sense!" After feeling really terrible myself, I also mustered up some anger toward the people in front of us who also had noticed our jazzy friend and proceeded to poke fun as well. That is until I saw our jazzy deaf friend talking to his concert buddy...wait, deaf people don't generally talk, right? And if they do, they are usually signing while they speak... Alright, I didn't feel so bad anymore. The guy really was just doing some jazz hands out of pure excitement. He was expressing what we were all feeling, though, to be completely honest.

Overall concert experience= 4 out of 5...top notch for sure.

Taking Some Time to Catch Up

Besides my last post about life's sometimes crazy pace, it's been a while since I have written on here. I have a lot to write about because of that very fact! In the past month, I have attended three concerts, celebrated a birthday (23), got a sweet hairdo, traveled to a few different states, and landed a job, among other events!

But let's back track about a month from today...(cue Wayne's World dream sequence...)

4. Florence and the Machine, The Lawn at White River State Park (Independence Day!)

I have to admit, the reason I bought tickets to this concert is because I thought it would be fun to get a group of people together and go downtown for the night. The plan seemed great-- good friends, go out for dinner, watch the concert, watch the fireworks on the canal. Things were a bit off-kilter-- traffic was killer, parking was crazy, and we got down there too late to get food. I was cranky, and standing in line for the concert was too hot, but we got good seats and ate food in the venue. Paying concert venue prices for food is better than starving, but still not fun. Our seats were in a great position on the right side of the stage. That is until the sun started setting and shining straight in our faces. Other than the heat and the sunshine (which I will hardly complain about, really), the venue was great.

The opening act for the show shall remain nameless, mostly because I don't remember his name, but also because we spent most of the set condemning his boring hard rock strumming and unnecessarily dirty distortion. At one point, too, he stopped to tune his guitar and actually made it more out of tune. We tried to find good things...really we did. There were some melodies that were actually quite interesting, and some of his chords progressions were fresh, but generally his music sounded pretty generic (i.e. Nickelback). His style of music was just nothing that any of us were interested in. There were quite a few fans, though, that cheered for him, so I was glad that he got some lovin' from the crowd. His drummer was really awesome, and the drums also sounded crisp and full (which would unfortunately change when the mainstage act came out).

Florence and the Machine came out after a quick stage change-- a beautiful tapestry of a bird was dropped and the smoke machine turned on while the majority of the musicians (minus Flo herself) came out to start playing. I loved seeing a harp player and was looking forward to hearing some of those Florence and the Machine rhythms played on properly-microphoned drums. The concert began as most do-- with a building intro to a familiar song. Then, Florence makes her way to the front of the stage, flitting around in a...yellow sheer dress with wings?

Source

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She looked a bit like a lost canary, but her singing voice was one of a sorrowful warbler, lilting but strongly confident. After her first song, Florence offered a welcome in her delicate London-accented speaking voice, in contrast to her singing voice. Although the power of the drums was lost and you couldn't even really hear the keys, the music was fun. Some musical highlights of the night included familiar songs like "Cosmic Love," "Dog Days Are Over," and "Between Two Lungs." Between songs, Florence gently and politely called for a drink and explained that her mother is American, which means she would be proud that Florence was spending July 4th in the US. After that chat, the drummer started a marching beat, and I thought for sure she was going to sing "America the Beautiful" or some patriotic hymn, but instead she broke out in "Amazing Grace." Wait, isn't that song written by a British guy...?

Other highlights for our group in particular that night were finally eating food, singing a refrain of what sounded like "Praise the Lord," (actually singing "Raise it up"), watching and imitating the girls in front of us as they danced to the beat of their own drum all night long, switching seats to relieve one another from the sun's rays, and finally sitting on the cool canal to watch the fireworks. We weren't all super familiar with the music of Florence and the Machine coming into the show, but we enjoyed the choruses we could sing and dance with. There were plenty of people there who knew every word and danced like they were getting paid to inspire. We had a blast even though most of our laughs came from the ridiculousness of the whole night, but having fun was the goal, so I call the night a success. Concert itself gets 2.75 out of 5.

The day after the concert, I left to hang out with my family for vacation in Georgia. On said trip, I drank some good beer with my dad, got stung by a jellyfish, had the freshest shrimp I have ever tasted, laid in the sun too long, played a reggae version of a Blink 182 song with my brother, and dined and danced a jig in the streets of Savannah to celebrate my birthday. All in all, it was a great trip, despite having to get up at 3am to head back to Indy. See my past post about my airport experiences on that trip.

Tune in later this week for my experiences with the Fleet Foxes at the Pageant Theater in St. Louis, Bon Iver at the Murat Theatre in Indy, and maybe a few more special shows after that! :)

Summer Music Marathon: Concert #3

3. The Civil Wars at The Earth House

Coming into this show I had pretty high expectations for a number of reasons. In listening to The Civil Wars' first live album Live at Eddie's Attic before they were really known and publicized in media, I had come to love their humor, their lyrical commentaries on relationship, and their vocal precision. I never fell completely in love with their sound as many have, but they captured my attention and have been garnering quite a bit of attention from some respected music forums and media such as iTunes, Paste Magazine, NPR, and even the Christian cultural commentator, Relevant Magazine. I watched The Civil Wars perform on NPR's YouTube channel a few days ago to prepare myself for their show, and was blown away by their dynamics and energy. As a friend and I discussed, it's hard to believe that their relationship is solely professional because they exhibit such a high amount of chemistry during their performances. Here's that video for your viewing pleasure:

Joy Williams is definitely the performer personality of the duo. I'm guessing this is largely due to her past career performing as a dynamic CCM (Contemporary Christian Music) musician. It felt to me like she was putting on an act that was a little hard to break through and relate to.

On the other hand, I gather that John Paul White is by nature a bit more laid-back and introverted, as is expected from most good song-writers--it seems as though a certain type of personality expresses him or herself better through a musical means than simple person-to-person interaction...maybe I am drawing false conclusions here, but that's my perception. I wish he would step out more and share the spotlight equally with Joy, but there's so much more about Joy on the surface that captures people's attention. John Paul deserves more credit! This is true also for the interviews with The Civil Wars that I have read as well. In the Christian media realm, people are often very interested in Joy's "switch" from CCM to "secular" music, while John Paul White just gets a few blurbs about his musical influences and such. I'm interested in getting to know his background more than media people are allowing me.

But I have digressed, as I often do. I'm off my soapbox.

Some observations from the concert:
A. Their dynamics (as seen in the NPR video) were lacking a bit during this show. It felt almost a bit awkward, like Joy was trying to interact with John Paul White, but he wasn't responding as much or interacting with the audience as much. Maybe he wasn't feeling well. One can only speculate.

B. Joy smiles so much. Like she knows something that you don't know. Like there's something that lies farther beneath the melancholy melodies, bringing everything to light. It made me feel weird. Like she almost was being untrue to the nature of the songs, but it was enchanting. Her ballerina-like hand gestures attract and allure along with her voice, sometimes serving as a distraction.

It was interesting to me that Joy's vocal expression still seems very much rooted in her experience singing pop music, even in the context of John Paul White's country guitar riffs. Don't get me wrong, her voice is her gift. She slides up and down her wide range with ease, has amazingly compelling tone-quality to her voice, and she can belt out very powerfully, but it's just something about the breathy whispers or the way her syllables are shaped/exaggerated that bothers me a little. That's me being really picky though. Vocals are often the main thing I listen to when I hear music, especially music like this where vocals are the main focus of their song-writing.

C. John Paul White's song-writing skills are very compelling, and his variety of guitars on stage made up for the variety of timbres that a band backing would offer them. He had a hollow-bodied electric, acoustic-electric, resonator, nylon-stringed acoustic, and one other. Joy also played a bit of piano and accordion, which was exciting for me. I like a bit of variety, especially when their two opening acts were also melancholic acoustic guitar sing-songwriter types.

D. My favorite songs of the night were both Michael Jackson covers-- I Want You Back and Billie Jean-- and Barton Hollow and Poison and Wine. The second opener, Ryland Baxter, also played some pretty poignant and witty songs that I enjoyed.

E. The Earth House is a cool smaller venue in Indianapolis housed in an old church building. They have a sizeable coffee shop (with a sizeable line of people in front of the counter) downstairs, and the old sanctuary (I'm guessing) has been completely cleared of pews and hymnals in order for people to stand and enjoy whatever musical act might grace the altar/stage. The pace of this show was definitely conducive to chairs, especially having two acoustic opener acts, but standing didn't kill us. I'll tell you what almost did kill us though-- the people who we squeezed around to get closer to the stage. They weren't very nice. The crowd was pretty different than I expected-- a lot of yuppies, college students, and a good amount of middle-agers.

Although I left with a back-ache, numb feet, and a sweat-soaked shirt, the concert was still really fun. Seeing quality music live is hardly ever a disappointment. Overall, I give this concert experience a 3.75 out of 5.

"You are the music while the music lasts." -T.S. Eliot

I've dubbed this summer the "Summer Concert Marathon" summer. Never in my life have I devoted so much consecutive time and money to such a cause, but I feel good about the commitment to a concert marathon for this particular summer. My soul is in need for "the mediator between the spiritual and the sensual life," as Beethoven so eloquently mused. I think his description is spot on. The spiritual life is one that often seems abstract and distant for me, but music is that one bridge between things that are concretely available to my very active senses and things that occupy my mind and heart but are less available in that concrete way. Music is concrete, but it is also abstract. That dichotomy serves the human soul well, I think.

I want to share with you about my first two concerts of the summer concert marathon.

1. Fitz and the Tantrums at the Vogue Theater

The first thing I want to say is that if you have not heard this band's stuff and you like Motown or Raphael Saadiq, please check them out. I heard their music thanks to one of those weird facebook sidebar adds (also how I found out about one of my other favorite bands, Company of Thieves), but I was attracted to the add because of the look of the band. The frontman and founding father of the band, Michael Fitzpatrick (Fitz), has this strange rock look-- a full vintage solid-colored suit, white shoes, long in the front side-parted hair with a large white streak, an oval middle-aged face with piercing blue eyes. In all honesty he looks a bit scary, but in real life he's actually not scary at all. The other face of the band is a voluptuous beautiful black woman, named Noelle Scaggs, who wears these show-stopper sequin dresses that you would find on the Supremes in the 1970s. Fitz and his lady are quite the pair, but their dynamics on stage are surprisingly electric.

I have been listening to their album Picking Up the Pieces consistently from the time it was released up until the concert. Their tunes are very catchy, especially their radio hit Moneygrabber. I could sing and dance to that song for hours straight and be really happy...what I'm trying to say is that the band has this amazing energy and style to their sound, and I hoped that the concert would be that energy and style incarnate. I was not let down!  Despite the surprising age of the band members (on average maybe 35?), every person added their own high energy and distinct personality into the mix. Their performance is proof not only of their delight in performing music, but also their musical abilities and talent. These are some seasoned musicians. My favorite part of the show was that the band was not afraid to interact with the audience members. Fitz and Noelle demanded audience participation and made us all feel comfortable dancing in the square foot of room we had to dance. This is in part due to the intimacy of the venue, too. I have never been close enough to a band to see how much they sweat...well, that could have been due to the fact that most of them were wearing three-piece suits... but the Vogue is such a great venue for that intimacy.

All-in-all, it was one of my favorite concerts, and I felt totally engaged and excited for the majority of songs. They threw in a few covers that were fun to sing along with, and they ended on my favorite tune of theirs, Moneygrabber. Fitz also gave a sincere thanks to the audience members and acknowledged our role in making them able to pursue their dream of performing their music, which I thought was really unique and wonderful of him to do. The chemistry between the band and the audience was just unlike any other. A true connection. I left the Vogue that night with a smile and a bounce that lasted for a few days, I think.

2. Josh Garrels at Muncie Alliance Church

I came into this concert a bit less familiar with the artist and his music than compared to most other concerts I attend, but a lot of my friends are big fans of Garrels's music, and I knew I would enjoy it from the bits and pieces of his stuff that I have heard. This man has the voice of a siren and the lyrics of a wise poet. He breathes life and voice into words taken straight from the texts studied in churches for centuries. His melodies are unique, and his beats stop you in your tracks long enough to convict your heart.

This concert was very much a homecoming concert for Josh. He spent a lot of his spiritually formative years in Indiana (especially Muncie and Indianapolis) interning and pastoring at churches in the Alliance movement. My pastor is really good friends with Josh, so it has been cool to get some inside scoop on his music and life journey backing his music. 

But I didn't know much about Garrels coming into the concert and wasn't sure what to expect musically. His new album has a full band sound, but when the concert started, the stage consisted of Garrels sitting in a stool with his guitar and his friend alternating between bass guitar, accordion, melodica, and sometimes a combination of more than one of those . I found out as the show went on that Josh also had a device with tracks recorded so that he could play along to his beats and string parts, which was awesome. At one point he put aside all live instrumentation in order to stand and passionately MC along with one of his tracks for his song called Resistance (one of my favorite moments of the show).

The thing I love most about Josh's music is his personal heart in each song. You can tell that his songs derive from a deep, deep place, whether from his own life experiences or from the truths that have been enlightened and revealed to him through his strong faith in God. They are songs of a man hurting, seeking, and trusting. I honestly don't remember much else from the concert simply because it was so overstimulating. I found myself sitting still and staring blankly at the end of his show because I was trying to digest everything I had just heard. My mind was completely engaged and I related a lot to the struggles and grace of which he sang. It was most certainly a compelling spiritual and intellectual exercise for me, and I look forward to spending more time with Garrels's music.

    Watch this and be compelled:

Acceptance

As some (all?) of you may know, I love art, music, dance, expression, creativity, etc. I would definitely classify myself into the category of "artsy" people, however, I have always denied identifying myself as an "artist." Things are changing for the better.

In October, I started going to counseling. First of all, I think everyone can benefit from an outside objective voice in their lives. Secondly, and more personally, I like/need to talk things out with people, and I find that she is a great support and outlet for me since there aren't an abundance of people around me 24/7 to listen to me process life. Sometimes I feel like she isn't 100% on board with what I am saying since she is a new friend who isn't constantly a part of my life, but it is good for me to practice explaining everything without having expectations that the other person will understand my context. People generally can't read my mind, and sometimes I treat my closest loved ones as though they should be able to... Anyway, she suggested that I start reading/studying this self-help sort of book called The Artist's Way: A Spiritual Path to Higher Creativity. I have to admit, the book is sometimes a little "broad" spiritually, and it makes me work a lot and think a little, but I have gotten some really valuable things out of studying the book so far.

I am only in my second week of study, but I am now able to declare that I am an artist, despite my lack of training in visual art. I am a writer, even if I have never sold a novel. I am a dancer because I dance (duh). I am a musician-- I write music, and it's actually good. It's not good because I judge it according to specific academic criteria necessarily (although, I definitely have my standards being a trained musician), but it is good because I created it and creating things is good. God created the universe and declared it good-- I believe he was excited not only about the product, but also that he created it himself. We are made in God's image and are meant to see creativity in the same light. Our skills can always improve. Our conceptual frameworks will always morph. Letting go of expectations or standards and letting ourselves create is the big battle, but once we allow ourselves to do so and can see that there is worth in practicing creativity, then we are paving the way for our skills to improve and our creative concepts to form more solidly. We start to feel motivated... inspired, even.

Creating things takes energy, concentration, focus, planning, awareness, practice, and most of all it takes rest. God rested on the seventh day. As cliche as that seems, it is a legitimate model for creative people. Have you ever tried just pushing through a writer's block or cutting and pasting through a crafter's block? Generally the results are things you throw away or things you resent. I must rest when I am feeling unmotivated or inspired. I must recharge and refill. I must change my environment and my routine, sit in Starbucks, read a book, take a drive or walk-- fill my life with new images, new people, new sounds, new smells and tastes, new conversations. My inspiration comes when I am not creating.

I'm sure I will be learning more on my journey of "creative healing," but I wanted to take a moment and celebrate my true personal accomplishment of being able to accept and declare the fact that I am an artist. God created you and me, and we are to create to reflect His image to those around us. Living in fear of that creativity is living against God's intentions and will for his people. Take a risk and explore your creativity this week. Send me a copy of whatever you do so I can enjoy it, too! :)

Ecclectic Evening Post

This post, similarly to my last post, is one of little continuity and form. I like it that way. Here are some things that have been speaking to my heart:

1. I had the most wonderful Valentine's Day moment when I was subbing in a Kindergarten classroom on Monday. Mostly all of the students had made little paper bags for their "mailboxes" and brought in valentines to share with their classmates. One little boy wasn't there the day they had made the bags, so I gave him a plastic bag to use. Since his bag wasn't put out on display like everyone else's, I think that his valentines got put either into random bags or thrown away. He ended up with only about three valentines in his bag. Later in the afternoon, we had a time to dump out the valentines and look at all of them, and I was teasing the kids because I hadn't gotten any valentines. That same little boy heard me say, "Well, where's my valentines? Don't I get a valentine from anyone?" and he came over and handed me one of his. He said, in the sweetest little voice, "Here, I kept this one safe for you." My heart melted, and I even felt a bit guilty because I obviously hadn't been serious in my request for a valentine.

Out of the little he had, he gave much. It was a true-blue demonstration of real love from the sweet heart of an innocent child. So much to learn from him. ♥ ♥ ♥

2. Here are the lyrics to Sufjan Stevens's song "Enchanting Ghost" from his EP "All Delighted People" (which is located close to the very top of my favorite music of all time, by the way). He softly and tenderly sings my heartbreak into words and melody in this song. Read them while listening to this:

Tell me what you saw in me

And I'll try to replicate it with a scene

Mm-mmm

If it troubles you to breathe

Wait a moment; I could change the scenery

Don't carry on carrying efforts, no no, oh oh oh oh

Somewhere there's a room for each of us to grow

And if it pleases you to leave me, just go, oh oh oh oh

Stopping you would stifle your enchanting ghost

Mm-mmm

It's only that I meant to bring
Love and liveliness to your breast on the scene
Mm-mmm
Did you cut your hands on me?
Are my edges sharp? Am I pest to feed?

Don't carry on carrying regrets, oh no oh oh oh
Somewhere there's a room for us to speak alone
And if it grieves you to stay here, just go, oh oh oh oh
For I have no spell on you, it's all a ghost
Mm-mmm

I still have the things you gave me
Four anointing oils, the paper weight you made
Mm-mmm
For sure I haven't carried them
Or buried them in the name of your ghost, my friend

Don't carry on carrying efforts: Don't go! No oh oh oh
Stay with me until I sleep within your host
Or if it pleases you to leave me, just go, oh oh oh oh
Stopping you would stifle your enchanting ghost
Mm-mmm

3. I just wanted to publicly declare that I am becoming increasingly excited for my friends Jillian and Owen Pye and their cutest little baby Cash to come to Indy in about a month! Owen is preparing to drop his new album on February 22nd, and then they are all heading out to tour the country. They are making a stop here, and Owen's performing a house show in Fountain Square. I'm excited to spend time with lovely people from home who love art and music like I do. It will be a great weekend with genuinely precious people, and you should come down to Indy to see his show on March 13!

Check out Owen's music and tour details on his website and check out Jillian's lovely etsy shop and her beautiful blog,

Also, here's the recently released stop-motion music video that utilizes both Owen's talent (musical) and Jillian's talents (designing and storywriting):

4. I love that I am constantly learning about my faith and how I interact with God. Today, I read this article about some important lessons that the disciple Thomas teaches us. I found it to be a really fresh analysis of a familiar character's story. 

5. Two goals I set for myself this week are to finish my knitted blanket by hand-sewing some pom-pom trim on it and to invest in one or two board games for entertaining the comp'ny. I achieved the first one today, and it felt so good to accomplish something even though I didn't go to work. A lot of times I lazy away the days that I don't sub. Not today, friends, not today!

A Melody in Four-Four Time

Stars Climb Up The Vine-
Meg Baird


Sometimes the thing that speaks best to me is a song or two.

I sit in a room alone, or my car while driving for a long time, turn on an epic chorus in a Mumford and Sons song or a lilting strings section in a Keely Smith ballade or a steady heavenly beat in a Psalter's song or a floating melody in a Trespasser's William song and then let the moment speak for itself.

I am a big fan of words, but sometimes words get in the way of melodies and harmonies and rhythms and true expression. Sometimes I can only express my state of being by asking someone to listen to a certain song with me.

Another great moment is when, although pretty rare, I can write a song that expresses me. This is harder for me than identifying someone else's lyrics and melodies as ones that express exactly what I wish to express.

Right now, though (if you desire to share it with me), I am listening to the song listed at the beginning of this post and the music speaks precisely to who I am at this very moment. You can find the song on Daytrotter: http://www.daytrotter.com/dt/meg-baird-concert/20030761-3738132.html